Literary Non-Posts
Two not-quite-a-posts that have been knocking about in my head this week:
Lies, Secrets, and Silence
I'm teaching Dracula this week, talking about the ways in which information is shared among the vampire-hunters. Several characters contribute personal diaries to the collaborative narrative, and they do so with evident anxiety: their private, personal selves are being subsumed by the group. Mina takes these intimate, personal recordings and translates them from coded shorthand notes and phonograph cylinders into a uniform typescript, smooth, readable, public. Notably, the men feel far more anxiety about this process than the women do: where Mina shares her diary willingly, valuing openness in both her marriage and her friendships, the men experience the sharing of their private journals as a loss of power: the pooling of information strengthens the group but weakens each individual's status within it; those who remain in a position of leadership do so by hoarding secrets.
Post Development Angles:
(1) Memories of grade five: sharing secrets as a means of cementing friendships with other girls.
(2) Comparison to last night's season finale of Lost: Ben wants desperately to persuade Jack to stay on the island - so much so that he's willing to do anything up to but not including a clear and open exchange of information. ("They're the bad guys" is the best he can do - no hint of why the island is so coveted by the bad guys, or of what he's protecting or why.)
(3) Provocative generalizations about gender, gossip, and blogging (feel free to ad lib these at will).
Hiding in Plain Sight
On deck for next week is Edgar Allan Poe's "The Purloined Letter," the quintessential tale of hiding an object in plain sight. It reminds me of an experiment I signed up for when I was taking Psych 101: when I arrived at the time and place specified I was ushered into an office and asked to wait for the grad student who would interview me. While I was waiting, a woman ducked her head into the office, grabbed a purse, and left again. Moments later I was earnestly assured that the "crime" I had just witnessed was actually staged for my benefit. Then I was asked to provide a description of the thief, a task at which I failed dismally, having (a) never suspected that the woman was not the rightful owner of the purse and (b) extremely limited powers of observation at the best of times.
Post Development Angles:
(1) Like me, Bub exhibits almost no ability to observe and record the details of his physical environment. (In that respect, we are the anti-Sherlock Holmes.) Pie, on the other hand, has the makings of a detective in her: she notices everything.
(2) What we notice, most of us, is not the crime but the concealment thereof: had the woman been wearing a ski-mask, or broken into a run as soon as she had the purse in her hands, I might have noticed something. This is a mistake made by most fictional criminals: they sprint through the crowd instead of blending into it; they conceal their horcruxes behind elaborate magical protections that are like waving a flag to Dumbledore and saying, "Here it is!"
(3) Brilliant application to blogging that will tie the two non-posts together into an insightful and coherent whole. Something to do with women protecting themselves by publishing their secrets online rather than hoarding them? You tell me.























